© Edensings, 2016

ARCHANGEL MICHAEL

Although Michael is considered to be the leading Archangel who fights against the powers of evil, this image depicts gentleness, humility and obedienceto God the Father, creator of all things in heaven and on earth. combines2 prototypes. One from the Andrey Rublev (Rublyov) Deesis group of Zvenigorod and the other from the ‘Deesis’ or ‘Supplication’groupfrom the RublevSchool following the traditions of Vladimir Suzdal.

MOSES AND THE BURNING BUSH

"And Moses said "Here I am". "Do not come any closer" God said "Take off your sandals, for the place where you are standing is holy ground". Exodus 3:4-5 Prototype early thirteenth century, now at the Holy Monastery of Saint Catherine, Sinai, Egypt.

PROPHET ELIJAH

Then the word of the Lord came to Elijah: “Leave here, turn eastward and hide in the Kerith Ravine, east of the Jordan. You will drink from the brook and I have ordered the ravens to feed you there.” 1 Kings 17:2-4 Prototype from an Icon dated from 1050-1100AD now located in St. Catherine Monastery, Sinai, Egypt

JOHN THE BAPTIST

This is he who was spoken of through the Prophet Isaiah: "A voice calling in the desert, 'Prepare the way for the Lord, make straight paths for him.' " Matthew 3:3 "Many will rejoice in his birth" said Gabriel, "and he shall be great before the Lord." As a grown man it was John who prepared many in Israel for the appearance of the Messiah by baptizing them in the Jordan and it was John who first recognized Jesus as the Messiah, confessing that he was not worthy to untie His sandal." Jim Forest Praying with Icons

ARCHANGEL GABRIEL

prototype from a 13th c. Byzantine image. I believe he carries a simple and powerful message. “Do not be afraid, God is with us.”

THE ANNUNCIATION

"Just as Eve, wife of Adam, yet still a virgin... became by her disobedience, the cause of death for herself and the whole human race, so Mary, too, espoused yet a virgin, became by her obedience the cause of salvation for herself and the whole human race... And so it was that the knot of Eve's disobedience was loosed by Mary's obedience." Saint Irenaeus, Bishop of Lyon, Late Second Century You formed my inward parts; you knitted me together in my mothere's womb. My frame was not hidden from you: when I was being made in secret, intricately woven in the depths of the earth. Your eyes saw my unformed substance; Psalm 139: 13,15,16 Prototype is the Annunciation of Novgorod school end of the 12th century to the beginning of the 13th century from St. Georges monastery at Novgorod now at the state Tretyakov gallery, Moscow

THE NATIVITY OF OUR LORD

The Star and Orb in this icon symbolize God entering into the darkness of this world with the Light of the Christ Child. The word became flesh and made his dwelling among us. John 1:14 In him was life and that life was the light of men. The light shines in the darkness, but the darkness has not understood it. John 1:4-5

MOTHER AND CHILD

In Eastern Christianity, Mary is called the Theotokos, (Greek) which means God-Bearer. She is the one who contained Him whom the universe could not contain. The star symbolizes her miraculous virginity. (prototype from the Virgin of Tenderness Russian Icon from the 17th c. now in a private collection in Lebanon)

SAINT SIMEON

Now there was a man in Jerusalem who was righteous and devout. He was waiting for the consolation of Israel, and the Holy Spirit was upon him. It had been revealed to him by the Holy Spirit that he would not die before he had seen the Lord's Christ. Luke 2:25-26 An unfurled scroll in the hand of a prophet has an inscription of a prophetic text pointing forward to fulfillment in Christ. Jesus holds a closed scroll. He is the Word of God, a Sacred Mystery. Prototype second half of the 16th century, Crete Now at the Holy Monastery of Saint Catherine, Sinai, Egypt

VIRGIN OF VLADIMIR

The original Virgin of Vladimir, written in about 1137, is the oldest surviving icon brought from Byzantium to Russia. It has endured numerous disasters. When the Cathedral where it was housed was burnt by Muslim tartars in 1237, the image was badly damaged, although the faces remained intact. Later the icon was placed in the Moscow Kremlin as a symbol of the Russian Orthodox faith. In December 1918, it was forcibly removed from its jeweled shrine by the Bosheviks and shipped to a studio for scientific tests and restoration. Now considered a national treasure, the Virgin of Vladimir is under glass in the Tretyakov Gallery,where it is still one of the most loved and venerated Orthodox Icons. This powerful image has inspired many iconographic variants. I have tried to capture as accurately as possible what the original prototype communicates to the viewer. As Jesus looks lovingly into the eyes of the grace-filled mother He has chosen, she in turn looks out to all humanity, pondering the fearsome miracle of His perfection. Her tender embrace acknowledges the honor He gives her, as she looks to the viewer with sorrow and humility. Does she see humanity through the compassionateforgiving eyes of her child Jesus and say, “Once He touches your heart, you too will never be the same”? I look into her anguish and courage with awe and know because she was blessed, so am I.

BETRAYAL KISS OF JUDAS

...are you betraying the Son of man with a kiss? In the language of Iconography, a traitor or unbeliever is shown in profile. It depicts a person who has not yet believed or has turned away from God. Prototype is a detail combined from 14th century fresco, Vatopaidi Monastery Mount Athos, Greece and a 1295 fresco, Churuch of St. Clement (Virgin Peribleptos), Ochrid

EXTREME HUMILITY

He had no beauty or majesty to attract us to Him. He was despised and rejected by men, A man of sorrows, and familiar with suffering. Like one from whom men hide their faces he was despised, And we esteemed him not. Isaiah 53: 2-3 Modeled after a 14th century Balkans Icon that is now located in the Tretyakov Gallery Moscow.

LAMENTATION

This is a detail from a specific type of Lamentation Icon that depicts only Jesus’ mother Mary cradling his body. It is know as Pieta (Italian for “pity”).

RESURRECTION/MARY MAGDELENE

Mary stood weeping outside the tomb, and as she weptshe stooped to look into the tomb, and she saw two angels in white, sitting where the body of Jesus had lain, one at the head and one at the feet. They said to her, “Woman, why are you weeping?” She said to them, “Because they have taken away my Lord, and I do not know where they have laid him.” Saying this, she turned round and saw Jesus standing, but she did not know that it was Jesus. Jesus said to her, “Woman, why are you weeping? Whom do you seek?” Supposing him to be the gardener, she said to him, “Sir, if you have carried him away, tell me where you have laid him, and I will take him away. Jesus said to her “Mary.” She turned and said to him in Hebrew, “Rabboni!” (which means Teacher). Jesus said to her, “Do not hold me, for I have not yet ascended to the Father: but go to my brethren and say to them, I am ascending to my Father and your Father, to my God and your God.” John 20:11-17 RSV

CHRIST PANTOCRATOR

Prototype is a 13th century mosaic from Hagia Sophia, Istanbul. In this image, Christ looks at you in judgment with one eye, and with the other eye He turns away in mercy.

FIVE WISE VIRGINS

Your word is a lamp to my feet and a light for my path. Psalm 119:105 Watch therefore, for you know neither the day nor the hour wherein the Son of man comes. Matthew 25:13

CHRIST THE HEALER

In this new icon, inspired by the Biblical passage, Luke 8:40-56, Jesus brings Jairus’ daughter back to life. He now looks at us with His blessing hand extended. Gold represents the heavenly kingdom. The red and blue in Christ’s garment represent His divinity and humanity. The girl wears a green shawl, symbolizing life, which reminds us of the hope we have praying for others in intercessory prayer. Divine proportion of the spiral inspired the visual placement of Jesus, His hand and the girl. The spiral begins with the child, expands out to Christ and on to the Heavenly dwelling place of God. Each of us is a child in God’s eyes. His healing, saving love, and tender mercies toward you and me are new every morning. His Grace for us is infinite. “Heal me Lord and I will be healed; save me and I will be saved for You are the One I praise.” Jeremiah 17:14

SORROWFUL MOTHER

This image depicts Mother Mary grieving the death of her son Jesus. She held him in her arms so often and now on Holy Saturday, her arms are empty. We all have an emptiness inside that only Jesus can fill.

SINAI CHRIST PANTOCRATOR

Pantocrator means “Ruler of All.” The prototype used for this icon dates back to the 6th century. Divinely protected through wars and iconoclasm, it is the oldest surviving icon of Christ Pantocrator. Affectionately called “the Sinai Christ,” it is now a sacred treasure of visual theology at St. Catherines’s Monastery in the Sinai desert. This image holds, in beautiful tension, foundational truths of Christianity: Dark and Light, Earth and Heaven, Time and Eternity, Law and Grace, Judgment and Mercy, Theses truths are seamlessy joined together in Jesus the Christ, who is Ruler of All. Our Lady of Guadalupe This is a study of the original image, not a traditional Othodox icon but still, a holy image with deep meaning around the world. It was a joy to enter into the unique language of this miraclulous vision, not made with human hands.
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