ARCHANGEL MICHAEL
Although Michael is considered to be the
leading Archangel who fights against
the powers of evil,
this image depicts gentleness,
humility and obedienceto God the Father,
creator of all things in heaven and on earth.
combines2 prototypes.
One from the Andrey Rublev (Rublyov) Deesis group of Zvenigorod
and the other from the ‘Deesis’ or ‘Supplication’groupfrom the
RublevSchool
following the traditions of Vladimir Suzdal.
MOSES AND THE BURNING BUSH
"And Moses said "Here I am".
"Do not come any closer" God said
"Take off your sandals,
for the place where you are standing
is holy ground".
Exodus 3:4-5
Prototype early thirteenth century,
now at the Holy Monastery of Saint Catherine, Sinai, Egypt.
PROPHET ELIJAH
Then the word of the Lord came to Elijah:
“Leave here, turn eastward and hide
in the Kerith Ravine, east of the Jordan.
You will drink from the brook and
I have ordered the ravens to feed you there.”
1 Kings 17:2-4
Prototype from an Icon dated from 1050-1100AD
now located in St. Catherine Monastery, Sinai, Egypt
JOHN THE BAPTIST
This is he who was spoken of through
the Prophet Isaiah:
"A voice calling in the desert,
'Prepare the way for the Lord,
make straight paths for him.' "
Matthew 3:3
"Many will rejoice in his birth" said Gabriel,
"and he shall be great before the Lord."
As a grown man it was John who prepared
many in Israel for the appearance of the Messiah
by baptizing them in the Jordan and it was
John who first recognized Jesus as the Messiah,
confessing that he was not worthy
to untie His sandal."
Jim Forest Praying with Icons
ARCHANGEL GABRIEL
prototype from a 13th c. Byzantine image.
I believe he carries a simple and powerful
message to each viewer.
“Do not be afraid, God is with us.”
THE ANNUNCIATION
"Just as Eve, wife of Adam, yet still a virgin...
became by her disobedience, the cause of death
for herself and the whole human race, so Mary,
too, espoused yet a virgin, became by her
obedience
the cause of salvation for herself
and the whole human race...
And so it was
that the knot of Eve's disobedience
was loosed by Mary's obedience."
Saint Irenaeus, Bishop of Lyon, Late Second Century
You formed my inward parts;
you knitted me together in my mothere's womb.
My frame was not hidden from you:
when I was being made in secret, intricately
woven in the depths of the earth.
Your eyes saw my unformed substance;
Psalm 139: 13,15,16
Prototype is the Annunciation of Novgorod school
end of the 12th century to the beginning of the 13th century
from St. Georges monastery at Novgorod
now at the state Tretyakov gallery, Moscow
THE NATIVITY OF OUR LORD
The Star and Orb in this icon symbolize God
entering into the darkness of this world with the
Light of the Christ Child.
The word became flesh
and made his dwelling among us.
John 1:14
In him was life and that life
was the light of men.
The light shines in the darkness,
but the darkness has not understood it.
John 1:4-5
MOTHER AND CHILD
In Eastern Christianity,
Mary is called the Theotokos, (Greek)
which means God-Bearer.
She is the one who contained
Him whom the universe could not contain.
The star symbolizes her miraculous virginity.
(prototype from the Virgin of Tenderness
Russian Icon from the 17th c. now in a private collection in Lebanon)
SAINT SIMEON
Now there was a man in Jerusalem
who was righteous and devout.
He was waiting for the consolation of Israel,
and the Holy Spirit was upon him.
It had been revealed to him
by the Holy Spirit
that he would not die before
he had seen the Lord's Christ.
Luke 2:25-26
An unfurled scroll in the hand of a prophet has an
inscription of a prophetic text pointing forward
to fulfillment in Christ.
Jesus holds a closed scroll.
He is the Word of God, a Sacred Mystery.
Prototype second half of the 16th century, Crete
Now at the Holy Monastery of Saint Catherine, Sinai, Egypt
VIRGIN OF VLADIMIR
The original Virgin of Vladimir, written in about
1137, is the oldest surviving icon brought from
Byzantium to Russia.
It has endured numerous disasters.
When the Cathedral where it was housed was
burnt by Muslim tartars in 1237,
the image was badly damaged,
although the faces remained intact.
Later the icon was placed in the Moscow Kremlin
as asymbol of the Russian Orthodox faith.
In December 1918, it was forcibly removed from
its jeweled shrine by the Bosheviks and shipped
to a studio for scientific tests and restoration.
Now considered a national treasure,
the Virgin of Vladimir is under glass in the
Tretyakov Gallery, where it is still one of the
most loved and venerated Orthodox Icons.
This powerful image has inspired many
iconographic variants. I have tried to capture as
accurately as possible what the original prototype
communicates to the viewer. As Jesus looks
lovingly into the eyes of the grace-filled mother
He has chosen, she in turn looks out to all
humanity, pondering the fearsome miracle of His
perfection. Her tender embrace acknowledges the
honor He gives her, as she looks to the viewer
with sorrow and humility. Does she see humanity
through the compassionateforgiving eyes of her
child Jesus and say, “Once He touches your heart,
you too will never be the same”?
I look into her anguish and courage
with awe and know
because she was blessed, so am I.
BETRAYAL KISS OF JUDAS
...are you betraying the Son of man with a kiss?
In the language of Iconography,
a traitor or unbeliever is shown in profile.
It depicts a person who
has not yet believed or
has turned away from God.
Prototype is a detail combined from 14th century fresco,
Vatopaidi Monastery Mount Athos, Greece and a 1295 fresco,
Churuch of St. Clement (Virgin Peribleptos), Ochrid
EXTREME HUMILITY
He had no beauty or majesty
to attract us to Him.
He was despised and rejected by men,
A man of sorrows,
and familiar with suffering.
Like one from whom men hide their faces
he was despised,
And we esteemed him not.
Isaiah 53: 2-3
Modeled after a 14th century Balkans Icon that is
now located in the Tretyakov Gallery Moscow.
LAMENTATION
This is a detail from a specific type of
Lamentation Icon
that depicts only Jesus’ mother
Mary cradling his body.
It is know as Pieta (Italian for “pity”).
SORROWFUL MOTHER
This image depicts Mother Mary
grieving the death of her son Jesus.
She held him in her arms so often and now
on Holy Saturday, her arms are empty.
We all have an emptiness inside
that only Jesus can fill.
RESURRECTION/MARY MAGDELENE
Mary stood weeping outside the tomb, and as she
weptshe stooped to look into the tomb,
and she saw two angels in white, sitting
where the body of Jesus had lain,
one at the head and one at the feet.
They said to her, “Woman, why are you weeping?”
She said to them, “Because they have taken away
my Lord, and I do not know where they have laid
him.” Saying this, she turned round and saw Jesus
standing,but she did not know that it was Jesus.
Jesus said to her, “Woman, why are you weeping?
Whom do you seek?” Supposing him to be the
gardener, she said to him, “Sir, if you have carried
him away, tell me where you have laid him,
and I will take him away.
Jesus said to her “Mary.”
She turned and said to him in Hebrew, “Rabboni!”
(which means Teacher).
Jesus said to her, “Do not hold me, for I have not
yet ascended to the Father:
but go to my brethren and say to them,
I am ascending to my Father and your Father,
to my God and your God.”
John 20:11-17 RSV
CHRIST PANTOCRATOR
Prototype is a 13th century mosaic
from Hagia Sophia, Istanbul.
In this image, Christ looks at you
in judgment with one eye,
and with the other eye
He turns away in mercy.
FIVE WISE VIRGINS
Your word is a lamp to my feet
and a light for my path.
Psalm 119:105
Watch therefore, for you know neither
the day nor the hour wherein the Son of man
comes. Matthew 25:13
CHRIST THE HEALER
In this new icon, inspired by the Biblical passage,
Luke 8:40-56,
Jesus brings Jairus’ daughter back to life.
He now looks at us with His blessing hand
extended. Gold represents the heavenly kingdom.
The red and blue in Christ’s garment represent
His divinity and humanity.
The girl wears a green shawl, symbolizing life,
which reminds us of the hope we have praying for
others in intercessory prayer. Divine proportion
of the spiral inspired the visual placement of
Jesus, His hand and the girl. The spiral begins with
the child, expands out to Christ and on to the
Heavenly dwelling place of God. Each of us is a
child in God’s eyes. His healing, saving love, and
tender mercies toward you and me are new every
morning. His Grace for us is infinite.
“Heal me Lord and I will be healed; save me and I
will be saved for You are the One I praise.”
Jeremiah 17:14
SINAI CHRIST PANTOCRATOR
Pantocrator means “Ruler of All.”
The prototype used for this icon
dates back to the 6th century.
Divinely protected through wars and iconoclasm,
it is the oldest surviving
icon of Christ Pantocrator.
Affectionately called “the Sinai Christ,”
it is now a sacred treasure of visual theology at
St. Catherines’s Monastery in the Sinai desert.
This image holds, in beautiful tension,
foundational truths of Christianity:
Dark and Light, Earth and Heaven,
Time and Eternity,
Law and Grace,
Judgment and Mercy,
Theses truths are seamlessy joined together in
Jesus the Christ, who is Ruler of All.
BLESSED SILENCE /HOLY WISDOM
“In the beginning was the Word, and the Word
was with God, and the Word was God.
He was in the beginning with God.” John 1:1-2
The Day of Eternity signifies that which preceded
the Creation and which follows it.
So Christ as Angel is also understood as an
eternal figure, the Logos (Word/Reason) of God.
“For a child has been born for us, a son given to
us: Authoity rests upon his shoulders: and he is
named Wonderful Counselor, Mighty
God,Everlasting Father, Prince of Peace.” Isaiah 9:6
In Greek, “Wonderful Counselor” is translated as
“the messenger of Great Counsel’. The Greek
word for messenger can also mean angel.
“He was oppessed, and he was afflicted, yet he
did not open his mouth; Like a lamb that is led to
the slaughter, and like a sheep that before its
shearers is silent, so he did not open his mouth.”
Isaiah 53:7.
So Chirst was silent.
And Christ the Angel of Great Counsel is the Son
begotten in the Silence of Eternity.
OUR LADY OF GUADALUPE
This is a study of the original image,
not a traditional Othodox icon but still,
a holy image with deep meaning around the
world. It was a joy to enter into the unique
language of this miraclulous vision,
not made with human hands.
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